
Dolphins 2025 Indigenous Jersey Adult
The jersey feature parts of a specially commissioned artwork by acclaimed Sunshine Coast artist Lyndon Davis, a Traditional Custodian of the Gubbi Gubbi /Kabi Kabi people, titled ‘The Calling of the Dolphins’.
As Lyndon explains:
“Here in Quandamooka Country (Moreton Bay), Aboriginal people used an ancient hunting practice to lure in the large schools of mullet closer to shore. By slapping the water in a particular pattern to create water percussion, and grinding their spears into the sandstone along the water’s edge, we communicated with the dolphins, who would hear these calls and drive the mullet to shore where the people were waiting with spears and nets. The dolphin was never hunted by the Gubbi Gubbi / Kabi Kabi and was always there to share in the catch.
Family groups of local pods of dolphins would respond and recognise the calls of Aboriginal families / clan groups. There were different families of dolphin connected with different families of Aboriginal people, with stories of ‘calling of the dolphins’ spread across the Sunshine Coast, Minjerribah (Stradbroke Island) and Meanjin (Brisbane) clans. This artwork represents those connections, the calling and the special relationship that has existed for thousands of years.”
Original: $93.34
-65%$93.34
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Dolphins 2025 Indigenous Jersey Adult
The jersey feature parts of a specially commissioned artwork by acclaimed Sunshine Coast artist Lyndon Davis, a Traditional Custodian of the Gubbi Gubbi /Kabi Kabi people, titled ‘The Calling of the Dolphins’.
As Lyndon explains:
“Here in Quandamooka Country (Moreton Bay), Aboriginal people used an ancient hunting practice to lure in the large schools of mullet closer to shore. By slapping the water in a particular pattern to create water percussion, and grinding their spears into the sandstone along the water’s edge, we communicated with the dolphins, who would hear these calls and drive the mullet to shore where the people were waiting with spears and nets. The dolphin was never hunted by the Gubbi Gubbi / Kabi Kabi and was always there to share in the catch.
Family groups of local pods of dolphins would respond and recognise the calls of Aboriginal families / clan groups. There were different families of dolphin connected with different families of Aboriginal people, with stories of ‘calling of the dolphins’ spread across the Sunshine Coast, Minjerribah (Stradbroke Island) and Meanjin (Brisbane) clans. This artwork represents those connections, the calling and the special relationship that has existed for thousands of years.”
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The jersey feature parts of a specially commissioned artwork by acclaimed Sunshine Coast artist Lyndon Davis, a Traditional Custodian of the Gubbi Gubbi /Kabi Kabi people, titled ‘The Calling of the Dolphins’.
As Lyndon explains:
“Here in Quandamooka Country (Moreton Bay), Aboriginal people used an ancient hunting practice to lure in the large schools of mullet closer to shore. By slapping the water in a particular pattern to create water percussion, and grinding their spears into the sandstone along the water’s edge, we communicated with the dolphins, who would hear these calls and drive the mullet to shore where the people were waiting with spears and nets. The dolphin was never hunted by the Gubbi Gubbi / Kabi Kabi and was always there to share in the catch.
Family groups of local pods of dolphins would respond and recognise the calls of Aboriginal families / clan groups. There were different families of dolphin connected with different families of Aboriginal people, with stories of ‘calling of the dolphins’ spread across the Sunshine Coast, Minjerribah (Stradbroke Island) and Meanjin (Brisbane) clans. This artwork represents those connections, the calling and the special relationship that has existed for thousands of years.”












